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Words: | Submitted: Mon Jun 19 2006
... simulations and simulacra ultimately have no referents, the social begins to implode. This process of social entropy leads to the collapse of all boundaries between meaning, the media, and the social - no distinction between classes, political parties, cultural forms, the media, and the real. Simulation and simulacra become the real so there are no stable structures on which to ground theory or politics. Culture and society become a flux of undifferentiated images and signs. The multi-perspective negating potential of art becomes collapsed into one-dimensional thinking promoted by dominant ideology. The potential for resistance is itself negated through a world of hyperreality, leaving the one-dimensional models to replace polyvalent "reality." Popular music provides a good example. The categories and forms of music are forced onto the musicians by music corporation's categorical conventions. They do change their categories to follow the times but the ultimate end is still restriction/conventionality. What ...
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