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Words: | Submitted: Wed Aug 27 2003
... rock and the New Romantics. Vivienne Westwood began showing in Paris in 1982, the first British designer to do so since Mary Quant. The "Buffalo Collection" which featured industrial-strength bras atop sweaters, ample skirts and tattered sheepskin capes, paid tribute to the women of Peru. Since then, she has brought us pelvis-skimming micro-chrinoline skirts, razored clothes from her "Cut & Slash" collection, clashing tartan and check knitwear and is presently in a lofty Scarlett O'Hara phase replete with the above-mentioned bustles, hour-glass figure, and netted petticoats. Vivienne Westwood was a teacher before she became a self-taught fashion designer and her clothes reflect her fondness for history and learning. Each collection is widespread with subtext and cross-references, which the audience (and buyer) may be forgiven for not catching. Westwood's cosseted woman in girdles and stays and bustiers and whalebone, teetering out on nine-inch platforms, could be seen as an ironic comment ...
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